FINISHED!!!!

Of course it's not really finished.

I've completed the first draft. 31 chapters, 110,000 words (slightly longer than Echo)

So now:
Correct all the continuity errors - I've spelt one of the characters' names in two different ways
Change all the points where I put XXX because I couldn't be bothered to go and look up the name of a place I'd mentioned previously, or to make up the name of something

Making up names is really difficult. All the starships have to have names, all the planets and systems and races. And they all look really naff on the page.

To continue:
Proof read for glaring errors - didn't make a particularly good job of that last time. It was only when I got hold of the actual book and went through it with a pencil did I realise how may errors and typos were left in. At some point I'll go through Echo, make the changes and then upload the new version to Amazon for free, for anybody who cares enough about it.
Hand over the book to the alpha readers. This is the really frightening part. This is where I'll find out if it's any good, or if it's just me that likes it.
Rewrite chapter 16 - I must have accidentally deleted it when transferring the individual chapters to a single document. I still had a version on the iPod and I turned off the wireless and renamed it but, when I turned everything back on again, it disappeared too. Slightly miffed. A least chapter 16 is quite short. It's Echo's dreams when she's in a coma with three bullets in her.
Rewrite the bits the alpha readers didn't like
Proof read and last edit
Get the cover art done
Decide on the title (the working title is Clarke, although that's not particularly interesting). This bit should come before the cover art,minutes I can't be bothered to cut and paste the two sentences
Format for Amazon and feed areas
Upload

So, I haven't really finished. The beginning of the end? The end of the beginning?

The difficult second album

Echo had a couple of themes ; the conflict between duty and desire, and the need of an outsider to belong. Although the characters kept going off and doing their own thing, I always had a framework that I could come back to, just by asking "What is this book about?"

You often hear bands talking about the difficult second album. They've got shed loads of songs left over from the first album, but they want the next to be recognisable, but to have progressed. Echo was intended to be a stand alone novel but, somewhere along the way it turned into a trilogy. I had a story line, focussing on the search for the lost Visionary Ship, the Clarke, but no real idea what the book was actually about.

That's not the only problem with a second book. Starting out involves introducing the characters and getting to know them. The third book will bring everything together with some big battle scene and a final resolution (and we -I include myself in that - will find out what happened and who survived). But the second book risks being just the journey from the start to the end. 

I suspect this is not unique. Look at Tolkein's Lord of the Rings trilogy. I think LOTR is a fantastic story, well written, which is one of the few books that I have read which induced a real sense of dread and uncertainty over the outcome. But the middle bit? Oh, get on with it!

I've just completed chapter 14 of Clarke and it's been a bit of a slog. Partly it's that Echo has been so well received that expectations are high and there's a lot of pressure to make it as good, which I'm not sure I'm doing. But also, I've not been sure what the book is about, other than the bit between the start and the end. There have been fun bits. Woz won a competition and got a cameo which I've just done and she's quite pleased with. And I'm in the middle of a big fight and Echo has just rammed her knife into somebody's thigh, severing their femoral artery and getting covered in blood for her trouble.

But today I figured out my theme. It's going to involve a rewrite of several early chapters but, perhaps the difficult second novel isn't going to be so difficult now I know what the book is actually about.

How do you comfort the grammar police?

Give them a big hug and say "Their, there, they're."

I've been reading the hard copy of Echo and the typos are just flying off the page. I went through the e version, then printed it out and went through it again, although to save trees it was two pages per side, so it wasn't that big.

Everybody says you should get a professional editor to avoid these things but something like that would have been a massive outlay when i didn't expect it to get read by more than a handful of people.

A few people have expressed an interest in buying the actual book. It's slightly embarrasing when people are shelling out a couple of quid, but the paperback is £7.99 on Feedareed.com. If people want the book i'm going to have to go through it, make all the changes and upload it again. I can also re-upload to Kindle and list it for free for a week so that people who bought it can download a copy without all the mistakes (including one use of the wrong sort of their (there, they're). Not that i mind, but it's not as much fun as writing Echo2.

Having said that, Echo2 isn't much fun at the moment. I've just finished chapter 3 but there's a pressure for it to be as good as the original. Self imposed pressure, but still real. Echo was never meant to be read which allowed me to write whatever i wanted. I'd like to write E2 with the same freedom, but i don't think that's going to happen. I now understand the difficult-second-album syndrome that effects bands.

Does it matter if E2 is rubbish? Not in the grand scheme of things, no, but a remarkable number of people have said very kind things about Echo and i don't want to disappoint them with a disappointing follow up.

Anybody else have this problem?

My Precious

So far Echo has only existed virtually. On Amazon and on my laptop and on some of your Kindles / iPads  /iPhones. The other day i decided it would be really nice to actually have a copy. A real copy. A real book. (Would that make me a real author?)

I love books. Kindles are great - half of my luggage for the last holiday was books - but there's just something about an actual book.

I looked at a couple of sites and they looked a bit complex. eventually i picked Feedaread.com, although that was a bit complicated and i had to have several goes before they'd approve what i uploaded. I'm still a bit concerned that the formating template didn't work out properly and the first letters of every right hand page will be too far down the crack to read. It'll be a bit like trying to play some of the music that somebody in the band has photocopied badly and missed off the key and time signatures and the first note.

Anyway, i've sent for a discounted author's copy. It's still relatively expensive compared to the price that ASDA sell older Lee Child and Andy MacNab paperbacks for but who cares. It'll be mine! The advantage of print on demand is that, if the formatting isn't right, i can upload a new version and there's only one copy that is wrong. I knew somebody who wrote a novel and had a couple of hundred copies printed. At the top of almost every page there was the title of the book - The White Sleeve. Apart from page 1, which had, in the header, The White Sleve

So, in a few days i should have my hands on my own book. It's very exciting. Although not exactly career changing, being a writer continues to be very rewarding, even after the writing is finished.